His repertoire abounds with the sort of instantly cozy songs — be it folky ballads, breezy yacht-rock jams, or bluesy sh*tkickers — that you’d swear you know from decades of listening to oldies radio (or, more likely, Spotify, where signature serenades like 2012’s “Lost in the Light” and 2014’s “All the Time” have moved well beyond the 100-million- stream mark). But on closer inspection, his writing teems with quirks that are entirely his own, as he wields a sly, self-deprecating sense of humor to transform relatable observations on domesticity and aging into absurdist Seinfeldian vignettes.
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